press

on Nature as a Metaphor for Emotional, Economic and Existential Horror:

Pleasantly Unpleasant Mental Journey: Stephanie Barber at School 33 by Bret McCabe at Bmoreart


on In The Jungle:

Tropical Melodies: Stephanie Barber's "In The Jungle" by Leo Goldsmith at The Village Voice

Films by Stephanie Barber and Amy Jenkins premiere in New York by David Brody at Artcritical

Burning Bright: On Stephanie Barber's Surreally Poignant "In The Jungle" by Bret McCabe

In The Jungle at R Speen by Randy Russell

on ALL THE PEOPLE:

Portraits in Flash at Atticus Review

ALL THE PEOPLE by Stephanie Barber, reviewed by Heather Rounds

Stephanie Barber by Laura van den Berg at BOMB Magazine

All The People by Stephanie Barber reviewed at Entropy Magazine


on DAREDEVILS:

The Conversation: Stephanie Barber's DAREDEVILS by Max Goldberg at CinemaScope Magazine

The Best of the Rest: 2013's Most Inexplicably Slept-on Films

Notes on DAREDEVILS by Rachael Rakes at The Brooklyn Rail

Leap of Fate by Bret McCabe BmoreArt

Living Variables by James Hansen at Out 1 Journal

In the Forest of Estrangement by Monica Saviron at ELumiere

DAREDEVILS by Randy Russell at HTMLGiant

Language as a Wild Animal an Interview with Stephanie Barber by Jeff Jackson

on Night Moves:

Conceptual Writing, Gender, Murder, and Bob Seger by Blake Butler at Vice Magazine

What you can learn about music—and humanity—from the YouTube comments on Bob Seger’s “Night Moves.” by Carl Wilson at Slate Magazine

On Reading, Thinking, and Stephanie Barber’s Night Moves by Adam Robinson at The Nervous Breakdown

Night Moves by Stephanie Barber at DIAGRAM by Patrick Gaughan

Bob Seger's YouTube Comments Tell a Story of Sex, Nostalgia and Mortality; Interview with Mike Pesca at The Gist

Night Moves by Stephanie Barber reviewed by Barrett Warner at The Coal Hill Review

Book Club Guide for Stephanie Barber's Night Moves 

on jhana and the rats of james olds:

Imitation of Life by Max Golberg

Stephanie Barber works at a Museum: HTML Giant

Almost Everyone is Ready: Interview by Michael Kimball

Sondheim Artscape Prize by Michael O'Sullivan at The Washington Post

general:

What to do with all that noise: Stephanie Barber's 3 Peonies at BMoreArt Magazine

Why Baltimore Persists as a Cultural Beacon by Andrew Martin at The New York Times Magazine

Interview with Stephanie Barber by Joanna Raczynska at INCITE Journal of Experimental Media

In a Minor Key: Two Films by Stephanie Barber by Michael Sicinski at Keyframe

Flat Affect by James Glisson at Artforum

Stephanie Barber: Submerged Narratives by Ed Halter at Afterall Magazine

Stephanie Barber by Mark Alice Durant at St. Lucy 

What The Hell Was That? by Michael Sicinski at Cineaste Magazine

Stephanie Barber's the inversion, transcription, evening track and attractor at the Wexner by Chris Stults 

Best of The Decade; Avant-Garde: Film Comment Magazine

Stop Motion: Transformation and Stasis; Senses of Cinema